11:00 AM – 11:15 AM EST
Bienvenue et introduction – Tami Williams (University of Wisconsin-Milwaukee), Priska Morrissey (Université Rennes 2) et Jean-Pierre Sirois-Trahan (Université Laval)

11:15 AM – 12:00 PM EST
SÉANCE NO 1: Film Chemistry, Lab Technique, and Archival Traces – Modération: Priska Morrissey (Université Rennes 2)

12:10 PM – 1:00 PM EST
SÉANCE NO 2: The Professionalization of Filmmaking – Modération: Ian Christie (Birkbeck College, University of London)

11:00 AM – 11:45 AM EST
SÉANCE NO 3: Cameras, Projectors, and Trick Photography – Modération: Louis Pelletier (Université de Montréal/Cinémathèque québécoise)

11:50 AM – 12:20 PM EST
TABLE RONDE NO 1: Useful Animation in Early Cinema – Modération: Haidee Wasson (Concordia University)

12:30 PM – 1:00 PM EST
TABLE RONDE NO 2: Case Studies from the Media Ecology Project and Tribute to Paul Spehr – Modération: Grazia Ingravalle (Brunel University London)

11:00 AM – 11:40 AM EST
SÉANCE NO 4: The Politics of Distribution and Exhibtion – Modération: Hugo Ljungbäck (University of North Carolina at Chapel Hill)

11:45 AM – 12:15 PM EST
SÉANCE NO 5: Early Latin American Cinema – Modération: Santiago Hidalgo (Université de Montréal)

12:30 PM – 1:30 PM EST
Assemblée générale

1:30 PM – 2:00 PM EST
Provenance Book Release & Virtual Cocktail – Tami Williams (University of Wisconsin-Milwaukee), Joshua Yumibe (Michigan State University), Paolo Cherchi Usai (Centro Sperimentale di Cinematografia), Joanne Bernardi (University of Rochester)

11:00 AM – 11:45 AM EST
SÉANCE NO 6: Studio Labor and Organization – Modération: Valentine Robert (Université de Lausanne)

11:50 AM – 12:20 PM EST
SÉANCE NO 7: In the Theatre – Modération: Paul S. Moore (Ryerson University)

12:30 PM – 1:15 PM EST
SÉANCE NO 8: Performers and Performance – Modération: Tami Williams (University of Wisconsin-Milwaukee)

1:15 PM – 1:30 PM EST
Remarques finales et clôture – Tami Williams (University of Wisconsin-Milwaukee) et Priska Morrissey (Université Rennes 2)